Canadian
Classical Bulletin/Bulletin canadien des études
anciennes (ISSN 1198-9149)
Volume 10.6 (2004 02 17)
Editors/Redacteurs:
J. W. Geyssen & J. S. Murray (University of New
Brunswick) <bulletin@unb.ca>
Published by the Classical Association of Canada/
Publié par la société canadienne
des études classiques
President: Catherine Rubincam (University of Toronto at Mississauga)
<Rubincam@utm.utoronto.ca>
Secretary/Secretaire: Patrick Baker
(Université Laval) <Patrick.Baker@hst.ulaval.ca>
Treasurer/Tresorier:
Craig Cooper (University of Winnipeg) <c.cooper@uwinnipeg.ca>
.
Association Announcements |
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From: Martin Cropp
<mcropp@ucalgary.ca>
Just a reminder that the deadline for applications for The Desmond Conacher Scholarship is 31 March. For information, visit
http://www.usask.ca/class/cac/conacher/
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From: M. Catherine Bolton
<cbolton@vax2.concordia.ca>
Concordia University - Faculty of Arts and Science
Limited-term appointment in the area of Classical Archaeology
Our Department of Classics, Modern
Languages and Linguistics invites applications for one limited-term
appointment in the area of Classical Archaeology. Applicants must have
a PhD in Classical Archaeology or ABD status. Demonstrated excellence
in research and teaching is required. The successful candidate will be
expected to teach a wide range of undergraduate courses in classical
civilization and archaeology. Expertise in Bronze Age archaeology will
be considered an asset, as will the ability to teach an undergraduate
course in ancient Greek.
The above position is a full-time, limited-term appointment, beginning
August 15, 2004. Hiring is subject to budgetary approval. This position
is normally at the rank of Assistant Professor. Applications should
consist of a letter of intent, a curriculum vitae, a list of
publications, a statement of teaching and research interests, and three
letters of reference. Review of applications will begin on March 1,
2004 and continue until the position is filled. Contact: Dr.
Catherine Vallejo, Chair, Department of Classics, Modern Languages and
Linguistics <
vallejo@alcor.concordia.ca>.
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From: Padraig O'Cleirigh
<pocleiri@uoguelph.ca>
A Symposium on Myth and History: From oral epic to medieval versions.
Registration $5.00 (includes lunch).
Symposium in the Classics: Myth and History
Saturday, 28th February, 2004
University of Guelph
MacKinnon 120
9:45 - 10:30 Peter Loptson -- Tradition, History, and Oral Memory Early Greek Epic
10:30 - 11:15 Doug Al-Maini -- Truth in Myth vs. History: Some Platonic Concerns
11:15 - 11:30 Break
11:30 - 12:15 Andy Sherwood -- Virgil's Marble Temple Georgics 3.10-39: Poetic Inspiration or Historical Reality?
12:15 - 12:45 Carolyn Willekes -- The Alexander Romance: A Revisionist History?
12:45 - 2:15 Lunch
2:15 - 2:45 Aaron Kelsh -- Myth for the Common Man in the Metropolis
2:45 - 3:15 Tamara Jones -- Scenes of Dionysus and his Thiasos on Late Roman Silverware
3:15 - 3:45 Jay Gearey -- The Cynic and the Saint: Echoes of Hipparchia in the Acta Pauli et Theclae
3:45 - 4:00 Break
4:00 - 4:45 Pádraig Ó Cléirigh -- History in Origen's Universal Restoration
4:45 - 5:15 Hartwig Mayer -- Cassandra in the Novels of Troy by Benoît de Sainte-Maure and Herbort von Fritzlar
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From: Anne Dvorachek
<advorach@watarts.uwaterloo.ca>
"From Myth to Magus: Hermes in the Western Tradition"
16-17 October 2004
Call or papers - Deadline: 20 March
An international conference on the heritage and influence of the figure
of Hermes in Western culture. Papers in any discipline (e.g., history,
art history, classics, religion, literature, philosophy, esoterica) are
welcome. Graduate students are particularly encouraged to
apply. Hosted by the Department of Classical Studies, University
of Waterloo.
Please submit 300-word abstracts for 30-35 minute papers electronically
to: David Porreca (dporreca@watarts.uwaterloo.ca) and Arlene Allan <
arleneallan@trentu.ca>.
Further information will be available on the University of Waterloo's Classical Studies website:
http://arts.uwaterloo.ca/CLASS/news.htm
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From: Jerise Fogel
<fogel@marshall.edu>
Society for the Oral Reading of Greek and Latin Literature
(Affiliated Group of the American Philological Association)
Call for Papers (2005 Meetings of the APA, Boston, Mass.)
Panel Organizers: Jerise Fogel, Marshall University, WV and Elizabeth Scharffenberger, Columbia Univ., NY
What Sounds Good?: The Aesthetic and the "Authentic" in the Pronunciation of Ancient Greek and Latin
The pronunciation and recitation of
Greek and Latin, both in and out of the classroom, has varied widely
over centuries and geographical regions. The work of W. S. Allen (
Vox Graeca3 [Cambridge 1987] and
Vox Latina2
[Cambridge 1978]) has enabled modern philologists to assess with
precision certain linguistic phenomena (e.g., duration and coloration
of vowels, differentiation of consonants, pitch accent in Greek)
described in ancient treatises that analyze the sounds created by
native speakers of both languages in their classical periods. But
Allen's opus does not cover all the factors that might contribute to
the "authentic" oral reproduction of the sounds of Greek and Latin (
e.g.
timbre, dynamics, tempo, tone), nor does it attempt to explore
exhaustively the phenomena that might make reproductions of either
language aesthetically appealing to audiences of particular cultural
backgrounds, both today and in the past.
Moreover, the very understanding of what constitutes "authenticity" in
the vocal-musical reproductions of ancient texts - and of the
relationship between aesthetic appeal and "authenticity" - is broadened
and complicated by recent studies of contemporary performances of
Renaissance music (
e.g., Nicholas Kenyon, ed.,
Authenticity and Early Music [Oxford 1988]; R. Taruskin,
Text and Act: Essays on Performance and Music
[Oxford 1995]), which argue that a host of factors in addition to the
actual sounds produced by the performers contribute to "authentic"
reproduction:
e.g. audience
appreciation, performance conditions, and the "conviction" and
investment of performers. Even the utility and appropriateness of the
concept of "authenticity" are hotly disputed, with some preferring to
speak of "historically informed" performances, while others maintain
that there is no such thing as a performance that recreates all the
important aesthetic components of a non-continuous spoken tradition. It
is no surprise to find, both before and after Allen, a great range of
scholars, writers, instructors, and performers (from Cicero, Sallust,
Quintilian and Tacitus, and the Attic revivalists of the Second
Sophistic, to Augustine in
De musica
and elsewhere, to Erasmus, to our contemporaries Jan Novak, Annie
Bélis, Gregorio Paniagua, Stephen Daitz, Tuomo Pekkanen, Carsten
Hreg, Petros Tabouris, Luigi Miraglia, Reginald Foster, Wilfried Stroh,
and many others) who have taken seriously the goal of "authentically"
reproducing for some aesthetic or even moral purpose Latin and Greek
sounds, yet have differed widely in the weight they attach to
individual linguistic elements and (where relevant) particular
conditions of performance/reception. Those decisions about weight are
one subject of this panel.
In recognition of the rich diversity of methodologies that have
developed over the centuries and in different parts of the world, this
panel seeks papers that examine from any vantage point (
e.g., ancient or modern, theoretical or practical, pedagogical,
etc.)
the pursuits of and/or approaches to "authenticity" and aesthetic
appeal in the pronunciation and performance of ancient Greek and/or
Latin. Panelists are requested to include in their presentations Greek
and/or Latin oral reading, live or recorded, that demonstrates the
elements of their papers. Abstracts should be submitted by February 1,
2004, as follows: please send four copies of an abstract (500-800 words
in length) that includes indications of time and a/v equipment needed
for presentation, to Jerise Fogel, Classics Dept., Marshall University,
Huntington, WV 25755. For further information, contact either of the
panel co-organizers< Jerise Fogel <
fogel@marshall.edu>; Elizabeth Scharffenberger <
es136@columbia.edu>. All submissions will be refereed anonymously.
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From: Erin Upton
<E.Upton@AAROME.ORG>
The American Academy in Rome announces its Summer Program in Archaeology:
Summer Program in Archaeology
7 June - 23 July 2004
The Summer Program in Archaeology was
conceived in 1991 to give graduate students in all areas of Classical
studies an overview of current developments in archaeological method
and theory, focusing on ancient Italy and the ancient Mediterranean
world.
The seven-week course teaches selected participants the objectives and
methods of archaeology through instruction and hands-on experience in
active archaeological research.
The program is divided into two parts: three weeks in residence at the
American Academy for lectures and the opportunity to study the
monuments and sources offered by Rome itself, and four weeks on-site at
an archaeological excavation.
ELIGIBILITY
The program is open to graduate students in archaeology, Classics, and
art history, though qualified advanced undergraduate students may also
be considered.
COSTS AND LOGISTICS
A fee of $2,500, which covers tuition, partial room and board, and
travel within Italy, must be paid to the Academy's office in New York
by 15 May 2004. This amount does not cover the cost of transportation
to and from Italy. Participants should be prepared to pay for
additional meals, any travel not directly related to the program and
other personal expenses such as laundry.
Participants will be accommodated in the newly renovated building at
Via Masina 5b adjoining the main Academy building, with multi-room
apartments. Participants will be housed in double rooms with shared
baths. Applicants should note that there is no air conditioning either
at the Academy or in most public buildings in Rome. Lunch and dinner
are provided at the Academy Monday through Saturday. Each participant
will receive a bill itemizing charges for phone calls and other
incidental expenses.
SCHOLARSHIPS
Students are encouraged to obtain support from their university or
department. Additional financial assistance from the Academy is
available to qualified participants in the program. If such assistance
is requested, please submit copies of any financial award letters for
the most recent academic year. In determining scholarship amounts,
preference will be given to those students enrolled at colleges and
universities that are Institutional Members of the American Academy in
Rome.
HOW TO APPLY
A complete application consists of a cover letter explaining why the
program is of interest, a curriculum vitae and two sealed letters of
recommendation.
APPLICATION DEADLINE
15 March 2004
APPLICATIONS SHOULD BE SENT TO:
Prof. Nicola Terrenato
American Academy in Rome
7 East 60 Street
New York, NY 10022
All applicants will be notified by mid-April.
For questions and information, please contact Prof. Nicola Terrenato <
terrenat@email.unc.edu>
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From: Richard A. LaFleur
<rlafleur@uga.edu>
Call for Nominations:
2004 APA Awards for Excellence in Teaching at the Precollegiate Level
The Joint Committee on Classics in
American Education invites nominations for the 2004 APA Awards for
Excellence in Teaching at the Precollegiate Level. The two winners will
be honored with $300 cash awards at the APA meeting in Boston in
January 2005. Eligibility is open to teachers, full- or part-time, of
grades K-12 in schools in the United States and Canada who at the time
of the application teach at least one class of Latin, Greek, or
classics at the K-12 level. Membership in the APA is not required.
Nominations may be made by a colleague, administrator, or former
student who is thoroughly familiar with the teacher's work. (Additional
guidelines for nominators are offered below.) Current guidelines call
for a nomination packet that consists of four components and that
should be submitted in quadruplicate under one cover. The components
are 1) a letter of nomination; 2) the candidate's current curriculum
vitae; 3) a personal essay of 250-500 words providing the candidate's
philosophy of teaching, views on the importance of study of the
classics, and views of qualities of successful teaching and of
professional development; and 4) four sealed letters of recommendation
(250-500 words each), of which two should come from administrators or
from colleagues at any level of the classics discipline and two from
current students or their parents. On the basis of these dossiers a
group of finalists will be chosen who will be invited to submit
additional supporting materials. (A list of topics for these supporting
materials is available below.) Precollegiate winners are selected
by a subcommittee of the Joint Committee on Classics in American
Education, whose membership is selected equally from both the APA and
the American Classical League.
May 3, 2004 is the deadline for the postmark of nominations.
Applications should be submitted to the ACL/APA Joint Committee on
Classics in American Education, c/o The American Philological
Association, 292 Logan Hall, University of Pennsylvania, 249 South 36th
Street, Philadelphia PA 19104-6304, to which questions about the
competition may be directed. <
apaclassics@sas.upenn.edu>.
Additional Guidelines for Nominators: The key to a successful
nomination is detailed information about the nominee's teaching
practices and results. The nominator plays a crucial role in gathering
and presenting this information. The additional letters of support
should be from students, colleagues, administrators, parents, etc. who
can also speak in detail about the nominee. Due to the fact that all of
the nominees are usually highly qualified, letters of nomination must
move far beyond general statements that the nominee is an excellent
teacher.
Supporting Materials for the Second Round: Finalists in the competition
will be invited to submit additional supporting materials such as
innovative teaching units, Latin publicity items, additional
testimonials and recommendations, etc. The materials may include
computer programs, video tapes, CDs, photographs, etc., but please be
sure that the materials submitted are copies, as they cannot be
returned except under special circumstances. Every application should
address at least four of the following criteria: Success, size, and
growth of the classics program in the context of the candidate's
school; Outreach and promotion of the classics; Innovative and creative
classroom activity; Evidence of improved student learning; Student
success in contests and competitions; Movement of significant numbers
of students to the next level of study; Student travel and field trips
ranging from study of local architecture to study abroad; The teacher's
professional service and professional development including workshops
(both taken and given), papers presented, offices held, awards
received, etc.
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From: Kathy Axcell
<kaxcell@trentu.ca>
The Classics Drama Group at Trent University presents
ION
by Euripides
Performed by the Conacher Players
March 2 - 5, 2004 at 8:00pm; and Saturday, March 6 at 2:30
The Pit, Lady Eaton College
Tickets are only $5.00
For tickets, please see: Kathy Axcell, Department of Ancient History & Classics, Lady Eaton College, Suite S118
or to reserve tickets: email: <
kaxcell@trentu.ca> phone: 705-748-1011, 1814
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From: Vicky Janssens
<V.JANSSENS@ucc.ie>
ONE YEAR DIPLOMA IN LATIN OR GREEK
University College Cork, Ireland
The Department of Ancient Classics is
offering, in conjunction with its intensive 8-week Summer School in
Latin and Greek, the chance for students to acquire Ancient Greek or
Latin from scratch to the level of a Bachelor's degree in just one
year. The course is aimed primarily at postgraduate students in diverse
disciplines who need to acquire knowledge of either of the languages
for further study and research, and at teachers whose schools would
like to reintroduce Latin and Greek into their curriculum.
The course starts in July and consists of two parts. Part A requires
completion of the Summer School programme (25 ECTS credits). Part B
consists of a total of 9 second and third year courses worth a total of
50 ECTS credits which would be completed over the Autumn and Winter
semesters here in Cork. The courses cover a variety of authors as well
as a more detailed examination of grammar. One course running over both
semesters is devoted to reading tailored to each student's need.
Further information on the Summer School can be found on our website:
http://www.ucc.ie/acad/classics/summ_sch.html with details about the Diploma programme forthcoming.
Further enquiries about the Diploma programme should be directed to:
Dr. Noreen Humble
Department of Ancient Classics
University College Cork
Ireland
Tel. +353-21-4902564, Fax +353-21-4903277
<
n.humble@ucc.ie>
Next regular issue 2004 03 15
Send submissions to <bulletin@unb.ca>